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Classical concerts featuring
Cecilia Zilliacus

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Upcoming Concerts

Concerts featuring Cecilia Zilliacus in season 2024/25 or later

February 17, 2025
Artistic depiction of the event

Monday at Last with dance

Mon, Feb 17, 2025, 19:00
Konserthuset Stockholm, The Grünewald Hall (Stockholm)
Cecilia Zilliacus (Violin), Kati Raitinen (Cello), Nadja Sellrup (Dancer), Oscar Salomonsson (Dancer), Pär Isberg (Choreography), Joakim Stephenson (Choreography)
In Monday at Last, violinist Cecilia Zilliacus and cellist Kati Raitinen invite artists to perform both newer and older music. But this Monday, it's not guest musicians who take over the stage of the Grünewald Hall – it's dancers!Nadja Sellrup and Oscar Samuelsson have both been principal dancers at the Royal Swedish Ballet in Stockholm, and participated in a number of acclaimed and talked-about performances at the Royal Swedish Opera. They both also have prominent international careers.Now we get to experience them in Connection–Band–Saraband with choreography by Pär Isberg, inspired by Ingmar Bergman's film Saraband, which focuses on relationships. The music comes from Bach's cello suites, which were important to Bergman.This exciting Monday at Last concert also features music by Sibelius, Lera Auerbach, and Erwin Schulhoff, as well as Jonas S Bohlin's To Cecilia for solo violin and choreography, written in 2023 for the Katrina Festival in Åland, where Cecilia Zilliacus is the artistic director.
April 28, 2025
Artistic depiction of the event

Monday at Last with overtone singing

Mon, Apr 28, 2025, 19:00
Konserthuset Stockholm, The Grünewald Hall (Stockholm)
Cecilia Zilliacus (Violin), Gareth Lubbe (Viola), Gareth Lubbe (Throat song), Kati Raitinen (Cello), Peter Friis Johansson (Piano)
In Monday at Last, violinist Cecilia Zilliacus and cellist Kati Raitinen invite guest artists to perform both newer and older music. The guests this time are Swedish pianist Peter Friis Johansson and South African violist, composer, and overtone singer Gareth Lubbe.We get to hear the incredible possibilities and resources of the voice in Lubbe's Miniatures, where he uses a special singing technique to create a whole range of resonant overtones. It's a completely unique sound world that conveys the feeling of something magical and primal.British-American composer Rebecca Clarke (1886–1979) was a highly skilled violist and a pioneer among female composers. Her Morpheus for viola and piano was first performed in 1918 at Carnegie Hall and was her first major success. After Schnittke's both wild and contemplative string trio, and Mozart's lively Duo, "Finally Monday" concludes with the rarely performed ecstatically charged piano quartet by Finnish composer Helvi Leiviskä in a late romantic style.